DuVernay, a former publicist who now directs movies with a publicist’s regard for exploitation over explication, is better at marketing concepts than she is at expressing ideas or feelings. This de-evolution of an American populace could make a fascinating film subject, but it would have to be proved - not just asserted - and The 13th isn’t that film. She glosses over the painful course of African-American history from slavery to segregation, from integration to pride, and on to endless, inescapable oppression.
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